Distopía
Distopía
cauldronandcross:

Robert Fludd 17th Century
gunsandposes:

A necropolis in North Ossetia, Russia.
(via)
ZoomInfo

Illustrations by Bernard Zuber for Maurice Garçon’s La Vie Execrable de Guillemette Babin, Sorciere, 1926.

Illustrations by Bernard Zuber for Maurice Garçon’s La Vie Execrable de Guillemette Babin, Sorciere, 1926.

Illustrations by Bernard Zuber for Maurice Garçon’s La Vie Execrable de Guillemette Babin, Sorciere, 1926.

Illustrations by Bernard Zuber for Maurice Garçon’s La Vie Execrable de Guillemette Babin, Sorciere, 1926.

Illustrations by Bernard Zuber for Maurice Garçon’s La Vie Execrable de Guillemette Babin, Sorciere, 1926.
r-a-b-i-s-c-a-n-d-o:

by Maia Kobabe
"…desires contrasting, contradictory, impacted, immobilizing. The desire to become fully visible, to be seen (at last) as one is, to be honest, to be unmasked. The desire to hide, to be camouflaged. To be elsewhere. Other.

The desire to be stripped down, to be naked, to be concealed, to disappear, to be only ones skin, to mortify the skin, to petrify the body, to become fixed, to become dematerialized, a ghost, to become matter only, inorganic matter, to stop, to die."
Susan Sontag, from Fragments of an Aesthetic of Melancholy (via frenchtwist)
darksilenceinsuburbia:

Christine Wheat.
doloresdepalabra:

‘Sea Change’
Redd Walitzki
cauldronandcross:

The Triumph of Death (detail) Pieter Bruegel the Elder 1562